Im Mittelpunkt unserer Forschung stand die Kunstraubpolitik des Dritten Reiches, insbesondere der Sonderauftrag Linz, Hitlers Geheimprojekt, die besten der gesammelten Kunstwerke in einem riesigen Museum aufzubewahren, das in seiner Jugendstadt gebaut werden sollte. Seine eigenen Pläne und Skizzen der Vorderansicht existieren, als auch die ausführlichen Pläne und einige der Modelle von Giesler und Frick, den beauftragten Architekten. Das Projekt wirft gewisse Fragen auf.Bitte schicken Sie Ihre Nachricht an: Artworks@yorku.caBerichte über diese Vorfälle, wie die Vorfälle selbst, sind widersprüchlich. Berichte reichen von den eigenen Zwecken dienenden journalistischen Bemühungen bis hin zu Augenzeugenberichten, von Regierungsunterlagen bis hin zu geschichtlichen Kompendien zerstörter oder verschleppter Werke und unzählige Listen darüber, wer was hatte, was wohin kam und wann. Zusammen geben sie uns ein sich änderndes, unvollständiges Bild einer möglichen Beziehung zwischen Kunst und Politik und der verschiedenen Arten von Wahnsinn, die an der Glorifizierung des Staates mitgewirkt haben, damals und auch heute noch.
Es folgt eine Zusammenstellung von Anmerkungen und Verweisen, die von einigen der Künstler stammen, die über diese Fragen nachgedacht haben. Diese bei weitem nicht vollständige und nicht alphabetisch geordnete Liste besteht aus Anmerkungen von
Bernie Miller und Jeanne Randolph, von Daniel Olson zusammengestellten Bibliotheken- und Web-Listen, einigen meiner eigenen (VF) Entdeckungen, Detektivarbeit von Anna Wieler und einer Zusatzliste von Betty Spackman und Anja Westerfrölke.
Obwohl es sich nicht um fein ausgearbeitete Anmerkungen und Listen handelt, deuten sie dennoch an, welche Wege wir gegangen sind. Neue Einträge werden ständig hinzugefügt und wir laden Sie ein, Namen von Artikeln oder Büchern beizutragen oder Kommentare, die Sie für wesentlich halten in bezug auf die miteinanderverbundenen Fragen: verlorengegangene Kunstgegenstände, Sammelfieber, Kultur und Politik und Führermuseum.
Thema: Art thefts--Europe.
World War, 1939-1945--Destruction and pillage--Europe.
Hitler,Adolf, 1889-1945.
AUTOR: Alford, Kenneth D.
TITEL: The spoils of World War II : the American military's role in the
stealing of Europe's treasures /
VERÖFFENTLICHT: Secaucus, NJ : Carol Pub. Group, c1994.
ANMERKUNGEN: "A Birch Lane Press book."
AUTOR: Smyth, Craig Hugh.
TITEL: Repatriation of art from the Collecting Point in Munich after World
War II
VERÖFFENTLICHT: Maarssen : Gary Schwartz ; Montclair, NJ : Distributed
in North
America by Abner Schram, c1988.
ENTRY TITEL: Schuldig geboren. English.
TITEL: Born guilty : children of Nazi families / [compiled by] Peter
Sichrovsky ; translated from the German
VERÖFFENTLICHT: London: I.B. Tauris, c1988.
AUTOR: Friedländer, Saul, 1932-
UNIFORM TITEL: Reflets du nazisme. English
TITEL: Reflections of Nazism : an essay on kitsch and death / Saul
Friedländer; translated from the French
New York: Harper & Row. 1984.
AUTOR: Breker, Arno, 1900-
TITEL: Paris, Hitler et moi [Traduit de l'allemand
par Jean-Pierre Tafforeau.]
VERÖFFENTLICHT: Paris Presses de la Cité, 1970
AUTOR: Kubin, Ernst.
TITEL: Sonderauftrag Linz: die Kunstsammlung Adolf Hitlers :
Apbau, Vernichtungsplan, Rettung: ein Thriller
VERÖFFENTLICHT: Wien: Orac, c1989.
ANMERKUNGEN: Includes index.
AUTOR: Kurz, Jakob, 1931-
TITEL: Kunstraub in Europa : 1938-1945 / Jakob Kurz. --
VERÖFFENTLICHT: Hamburg : Facta Oblit
ANMERKUNGEN: Includes bibliographical references (p. 443-444).
AUTOR: De Jaeger, Charles.
TITEL: The Linz file: Hitler's plunder of Europe's art /
VERÖFFENTLICHT: Exeter, England: Webb & Bower, 1981.
ANMERKUNGEN: Includes index.
AUTOR: Wortman, Michael.
TITEL: Baldur von Schirach, Hitlers Jugendführer
VERÖFFENTLICHT: Köln : Bühlauc1982.
ANMERKUNGEN: Rev. ed. of the AUTOR's thesis (doctoral)
Verlorene Werke der Malerei; in Deutschland in der Zeit
von 1939 bis 1945
München, F.A. Kunstverlag Akermann [1965]
31225 plates (part col.)
AUTOR: Maser, Werner, 1922-
TITEL: Hitler's letters and ANMERKUNGEN / Werner Maser ;
translated by Arnold Pomerans. --
VERÖFFENTLICHT: London : Heinemann, [1974]
ANMERKUNGEN: Slightly adapted translation of Hitlers Briefe und
AUTOR: Hoffmann,Heinrich, 1885-1957
TITEL: Hitler, wie ich ihn sah : Aufzeichnungen seines Leibfotografen,
translated by Arnold Pomerans.
VERÖFFENTLICHT: München: Hebig, [c1974]
AUTOR: Valland, Rose
TITEL: Le front de l'art : défense des collections
françaises, 1939-1945
VERÖFFENTLICHT: Paris : Plon, 1961.
SUBJECTS: Art--France--Galleries and museums
Friemuth, Cay.
Die geraubte Kunst: der dramatische Wettlauf um die Rettung der
Kulturschütze nach dem Zweiten Weltkrieg
Braunschweig: Westermann, c1989.
ANMERKUNGEN: Includes bibliographical refernces
Simon, Matila.
The battle of the Louvre; the struggle to
save French art in World War II.
New York, Hawthorn Books. 1971.
TITEL: Captured German and related records: a National Archives conference:
papers and proceedings of
VERÖFFENTLICHT: Athens: Ohio University Press, [1975] c1974.
TITEL: Le pillage par les Allemands des oeuvres d'art et des
biblothèques
appartenant à des Juifs en France
VERÖFFENTLICHT: Paris : Éditions du Centre, 1947.
SERIES: Série Documents - Centre de documentation Juive
Contemporaine ; no. 4
SUBJECTS: World War, 1939-1945--Art and the war
David, Ken: ris: Éditions du Centre,
The Nazification of art: art, design, music, architecture and film in the
Third Reich
edited by Brandon Taylor and Wilfried van der Will.
Winchester, Hampshire : Winchester Press, Winchester School of Art, 1990.
Hinz, Berthold.
Art in the Third Reich; translated from the German by Robert and Rita
Kimber.
New York: Pantheon Books, c1979.
Translation of Die Malerei im deutschen Faschismus.
Adam, Peter.
Art of the Third Reich
New York: H.N. Abrams, c1992.
Steinweis, Alan E.
Art, ideology, & economics in Nazi Germany : the Reich chambers of music, theater, and the visual arts
Chapel Hill : University of North Carolina Press, c1993.
********************************************************* Hello Vera, Here's something I found, and am sending as a test of this sending option. http://gopher.nara.gov:70/0/inform/guide/200s/rg239.txt I will also send you Hitler's skull (with any luck.)
Daniel
*********************************
Records of the American Commission for the Protection and Salvage
of Artistic and Historic Monuments in War Areas
(Record Group 239)
1942-47
61 cu. ft.
239.1 ADMINISTRATIVE HISTORY
Established: Under the chairmanship of Associate Justice Owen J. Roberts, by President Franklin D. Roosevelt, June 23, 1943, and announced by Secretary of State Cordell Hull, August 20, l943.
Functions: Cooperated with the U.S. Army in protecting cultural treasures and gathered information about war damage to such treasures. Compiled data on cultural property appropriated by the Axis Powers and encouraged its restitution. Compiled maps showing locations of areas or sites in enemy or enemy-occupied areas that were to be spared destruction if possible.
Assisted by the private American Defense-Harvard Group and by the American Council of Learned Societies' Committee on the Protection of Cultural Treasures in War Areas, which turned over its research files to the commission.
Abolished: June 30, l946.
Successor Agencies: Department of State (restoration of art objects), as announced by department, August 16, 1946.
Finding Aids: H. Stephen Helton and Philip C. Brooks, comps., William J. Lescure, rev., "Preliminary Inventory of the Records of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas," NC 124 (Aug. 1965).
Security-Classified Records: This record group may include material that is security-classified.
Subject Access Terms: World War II agency.
RECORDS
RECORD TYPES RECORD LOCATIONS QUANTITIES Textual Records Washington Area 59 cu. ft. Maps and Charts College Park 1,489 items Aerial Photographs College Park 124 items Still Pictures College Park 19,950 images239.2 RECORDS OF THE COMMISSION, l942-47
57 lin. ft. and 10 rolls of microfilm
Textual Records:
Minutes, 1943-46. Applications and letters of recommendation, 1943-46. Correspondence and other records of Commissioner Paul Sachs, 1942-46. General correspondence, 1943- 46. Fiscal records, 1943-47. Lists and handbooks concerning cultural institutions in Europe, 1943-45. Allied military government records, including final reports of the Mediterranean and European Theaters of Operations, drawn from the "Analytical File," 1945-46. Reports of the Art Looting Investigation Unit, including some reports of the Office of Strategic Services and the Strategic Services Unit, 1945-46. Microfilm copy of lists of war damaged areas and buildings in Japan, origin unknown, 1946 (10 rolls).
Related Records: Department of State central decimal file, in RG 59, General Records of the Department of State. Records of the Civil Affairs Division, in RG 165, Records of the War Department General and Special Staffs.
Subject Access Terms: Art looting; Monuments, Fine Arts, and Archives Section.
239.3 CARTOGRAPHIC RECORDS (GENERAL) 1943-46 1,613 items
Maps (1,489 items): Base maps of provinces, regions, and cultural sites in Europe and Asia, photocopied with overlays marking sites that were to be spared destruction (a few maps are originals with manuscript overlays), 1943-46; with accompanying documentation, consisting of a set of instructions for the preparation of maps, lists of maps, and site identification lists attached to the maps.
Aerial Photographs (124 items): Italian and Spanish cities, and Tinian Island in the Marianas, ca. 1944.
Subject Access Terms: Albania, Austria, Belgium, Bulgaria, China, Corsica, Czechoslovakia, Dalmatia, Denmark, France, Germany, Hungary, Indochina, Indonesia, Italy, Japan, Java, Korea, Marianas, the Netherlands, Norway, Philippines, Romania, Sardinia, Sicily, and Yugoslavia.
239.4 STILL PICTURES (GENERAL) 1943-46 19,950 images
Photographs: Europe, North Africa, Palestine, the Philippine Islands, Burma, China, and the Netherlands East Indies, collected by the Photo Archives Unit, showing depositories and looted artwork, effects of bomb damage and vandalism to cities and monuments, liberation by the Allies, and commission employees, 1943-46 (PA, RC; 19,650 images).
Survey of war damage to cultural institutions and monuments in Frankfurt am Main, Germany, 1946 (SFM, 300 images).
Long after the American Monuments Officers had left Germany, Rose Valland continued her quest to retrieve or account for every single thing that had left France. In her last years she retreated entirely into her world of secret documents, which at her death were relegated in an unsorted and chaotic mess to a Musée storeroom in Malmaison.
In Germany Wilhellm Arntz, a Lawyer, spent years trying to track down every single 'degenerate' picture removed by the Nazis.
The USSR returned most of the Dresden and Berlin collections in their possession to the GDR in the late 50's.
In all nations, most of the records relating to confiscation and recovery lay classified and often sealed for terms of 50 years or more.
Since the unification of Germany and the end of the Cold War the French Foreign Ministry has retrieved Rose Valland's Papers and is busily perusing them at the Quai d'Orsay.
The search for missing works of Art still goes on. International law enforcement agencies and private foundations such as the Institute for Art Research in New York keep an eye on the markets.
************************* Possible Research Leads: Record Group 5a at the National Archives is the records of the Fine Arts and Monuments Advisor !949-1969
Record group 239 Records of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas
Record Group 260. Records of the U.S. Occupation Headquarters. World War II, Ardelia Hall Collection: Records of the Collecting Points.
"Looted Art Treasures Go Back to France" The Quartermaster Review September/October 1946
Works of Art in Italy : "Losses and Survivals in the War". Volumes 1 and 2 London: His Majesty's Stationary Office 1945
Craig H. Smyth "Repatriation of Art From the Collection Point in Munich After WWII" The Hague: Gerson Lecture, Schwartz/SDUm 1988
Thomas C. Howe "Saltmines and Castles" New York: Bobbs Merrill 1946
Bureau Central des Restitutions "Répertoire des Biens Spoliés en France durant la Guerre 1939-1945" Berlin 1947
American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas "Report on American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas." Washington, D.C.: U.S. Government Printing Office 1946
NA, RG 239/77 OSS/ALIU CIR 4, Faison "Linz: Hitler's Museum and Library" December 14, 1945 P.2
NA 260/386 II, Ledgers for Linz operation
NA, RG 239?77 CIR LINZ Attatchments2,5,8,35a,60 and supplement
R.Valland, "Le Front de l'Art " Paris 1961
Report on Activities of ERR in Netherlands, Nuremberg Document 175PS CIR ERR Attatchment 9
Getty Centre Archives, List and letter, Valland December 10, 1962 as well as Reutti, "Reports on Post-War Activities" MS
J. Flanner "Men and Monuments" New York, 1957
Album of Photos, Contents Ricoveri, Führer's birthday April 20, 1945: Hartt papers, Ringler Report pp. 12-13
"History of the Wiesbaden Collecting Point July 13, 1945-March 5, 1946 Courtesy: W. Farmer
Archives of American Art, Washington D.C. Thomas Carr Howe Papers James J. Rorimer Papers George Stout Papers
NA, RG 239/84, DIR VOSS
M. Kurtz, "Nazi Contraband" New York 1985
***************************************** Some interesting ANMERKUNGEN:
AUTOR
: Speer, Albert
TITEL
: Erinnerungen
PUBLISHER
: Ullstein/Propylaen, Frankfurt/M - Berlin 1969
AUTOR
: Fest, Joachim C.
TITEL
: Hitler, Eine Biographie
PUBLISHER
: Ullstein, Frankfurt/M - Berlin - Vienna 1973
AUTOR
: Hitler, Adolf
TITEL
: Mein Kampf
PUBLISHER
: Zentralverlag der NSDAP, Munich 1927
AUTOR
: Sudholt, Dr. Gert, ed.
TITEL
: Adolf Hitlers Drei Testamente, Ein Zeitdokument
PUBLISHER
: Druffel, Leoni am Starnberger See/Germany 1977
AUTOR
: Price, Billy F.
TITEL
: Adolf Hitler als Maler und Zeichner
PUBLISHER
: Gallant, Zug/Switzerland 1983
AUTOR
: Kubin, Ernst
TITEL
: Sonderauftrag Linz
PUBLISHER
: Orac, Vienna 1989
AUTOR
: Fischer, Gerhard, ed.
TITEL
: Die Stadt und die Wildnis, Wien 1000 - 1500, (Eine Ausstellung von
daedalus - Wien)
PUBLISHER
:Stromfeld/Roter Stern, Basel - Frankfurt/M 1992
AUTOR
: Murray, Peter and Linda,
TITEL
: Dictionary of Art and Artists
PUBLISHER
: Penguin, Suffolk,1989
AUTOR
: Heinsohn,Gunnar
TITEL
: Warum Auschwitz? Hitlers Plan und die Ratlosigkeit der Nachwelt
PUBLISHER
: Rowohlt, Hamburg, 1995
AUTOR
: Purin, Bernhard, ed.
TITEL
: Beschlagnahmt, Die Sammlung des J½dischen Museums nach 1938
(Eine Ausstellung des 1995 J½disches Museum Wien)
PUBLISHER
: J½disches Museum der Stadt Wien, Vienna 1995
ART Das Kunstmagazin, C1084 E, Nr. 4 / April 1983, S.26ff
DIE ZEIT Magazin, Nr. 45/ 3.November 1995, S.14ff
Wiener Zeitung, Nr.97, 8. April 1938, S.1f
Wiener Zeitung, Amtsblatt, 1. Februar 1986, S. 25ff
Profil, Nr. 44, 30. Oktober 1995, 26.Jg., S.36ff
Profil, Nr. 6, 5. Februar 1996, 27.Jg., S18ff
Kronen Zeitung, Jan.31, 1996
Oberñsterreichische Nachrichten, Jan.31, Feb.6, 1996
****************************************************************
From: "C.H. Kwint"
Organization: Faculteit der Letteren, RuG, NL
Date: Tuesday, 25 February 1997
Subject: Bibliography
I would consider it as an honor to have my name included in the bibliography section of the Body Missing website. Unfortunately I don't have the time to translate my thesis into English due to my internship at a school. (Where I taught the children about this topic). The title of my thesis is " The Aryan as an Artcreator" Subtitle: "Art and National-Socialism". The thesis consists of 24 pages.
Christian Kwint
University of Groningen
Faculty of Arts.
Here is the bibliography prepared by Christian Kwint:
ENGLISH LITERATURE:
AUTHOR: K. Akinsha & G. Kozlov with S. Hochfield,
TITLE: " Stolen treasure. The hunt
for the world's masterpieces". (London 1995).
AUTHOR: R. Chamberlain,
TITLE: " Loot! The heritage of plunder". (Japan 1983).
AUTHOR: J.E. Elen,
TITLE: " Missing old master drawings from the Franz Koenigs
collection, claimed by the State of The Netherlands". (Den Haag 1989).
AUTHOR: T.C. Howe Jr.,
TITLE: " Salt mines and castles. The discovery and
restitution of looted European art". (New York 1946).
AUTHOR: C. de Jaeger,
TITLE: " The Linz file. Hitler's plunder of Europe's art".
(Exeter 1981).
AUTHOR: L.H. Nicholas,
TITLE: " The rape of Europa. The fate of Europe's treasures
in the Third Reich and the Second World War". (New York 1994).
GERMAN LITERATURE:
AUTHOR: H. Brenner,
TITLE: " Die Kunstpolitik des National-sozialismus". (Muenchen
1963).
AUTHOR: G. Busch,
TITLE: " Entartete Kunst. Geschichte und Moral". (Frankfurt am
Main 1969).
AUTHOR: F. Roh,
TITLE: " Entartete Kunst. Kunstbarbarei im Dritten Reich". (Hannover
1962).
DUTCH LITERATURE:
AUTHOR: F.J. Duparc,
TITLE: " Een eeuwige strijd voor Nederlands cultureel erfgoed".
(Den Haag 1975).
AUTHOR: D. Hannema,
TITLE: " Flitsen uit mijn leven". (Amsterdam 1973).
AUTHOR: E. van Konijnenburg,
TITLE: " Roof, Restitutie, Reparatie. (proefschrift)
(Arnhem 1948).
AUTHOR: A. Venema,
TITLE: " Kunsthandel in Nederland 1940-1945". (Amsterdam 1986).
TITLE: " De betwiste voogdij over een kunstschat"
PUBLISHER: Het Parool 20-5-1995.
TITLE: " Kunst en liegwerk"
PUBLISHER: Volkskrant 15-2-1986.
TITLE: " Nederlandse claim op collectie Koenigs is geheel legitiem"
PUBLISHER: Volkskrant
14-5-1991.
****************************************************************
To be continued ...
The story is always partial.
"Partial to what?" you say ...