Presentation on Digital Baroque: New Media Art and Cinematic Folds – Preface to Part II
In the rich and complicated Digital Baroque: New Media Art and Cinematic Folds, Timothy Murray conjoins paradoxical terms — digital and baroque — and suggests they are intricately linked. These terms represent artistic genres or categories, as well as periods of time: digital as current, often interactive, and electronic; and baroque as historical, ornate, and [...]