Week 2 Reading: Temporality, Storage. Legibility (Freud, Marey, and the Cinema)
TIME
This weeks reading raised many points in reference to time — including the thoughts of Freud and Marey. While Marey and Freud had two different theories about time, I feel the reading had one common theme: ourselves within time. Marey raises questions like, how are our movements played out within time? Freud raises questions like, how do we preceive and store time within our unconcious? None the less, Frued, Marey and more specfically, early cinema attempted to expose our daily activites within time. And in this sense, I agree with the theory that time is more a product…. a product of our existence within landscape. (For example, Marey studies the way we move on ground whereby time is a product of this movement that can be measured.)
I find myself thinking how this relates to early cinema. As the article states, cinema was the first instance in which time could be represented in “real time” — without breaks between images. Time was represented just as we saw it in real life — with no particular purpose to understand it — but merely to view it instead. Therefore, cinema inherently took on the idea of narrative insofar as it captured everyday life in real time. The article argues that, it is the result of this lack of understanding of time that has creating “noise” — an overstimulation of images within continous time. We have no way to draw meaning from these images within time. We simply accept them without entirely underastanding them.
I feel as if these anxieities surrounding time have appeared quite recently. While Frued theorized the notion of time, Marey or Muybridge and their use of technology turned time into a sheer enigma. And now with the advent of cinema, time is even more so an enigma. The rise of technology has forced us to tamper with something that we would have otherwise accepted as natural. So my question is, has technology made us ever so objective to the notion of time that it has produced a culture of confusion? In a borader sense, has technology forced us to confront things that are meant to just be? I feel technology in general has produced a culture of over stimulation, of excess, of cloudiness within modernity. Maybe things are better left to the unkown.
Adamo Ruggiero
January 10th, 2008 at 1:36 pm
The article talks about how, in the past, we tried to represent time and the
problems that were associated with this. Time is a continuous aspect that we were trying to record with single frames. Of course this seems like and obvious dilemma but this problem would not seem to occur for Freud because he found that time is intimately linked with the phenomena of discontinuity(p.45). How does he have this problem of recording time if it is just as discontinuous as photography? Also, I am not sure I grasp what his exact arguments are for it being a discontinuous phenomena since that is counter intuitive.
How does Freud’s discussions of consciousness play into the role of cinema? It is clear to see how he related memory to storage and the unconscious was part of this storage space, but how does consciousness fit into the picture. Did he have anything to say about it in relation to cinema? I found this a bit unclear in the artic
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