Kayla Carter (MA 2015) completed a Masters in Critical Disability Studies at York University, writing a major research paper on The Telling, the Making, the Haunting as an auto-ethnographic work on Kayla’s corporeal and metaphysical body as a site of truth-making, truth-telling and truth haunting – using a transnational disability studies lens, focusing on race, mental health, gender and trauma. Kayla is a multidisciplinary artist, educator, and healer. She is a Toronto-based black, disabled, femme survivor who is of Jamaican, Cuban, and Maroon ancestry and believes that her existence is not accidental, but very deliberate.
Her work focuses on ancestral and intergenerational trauma, shame, healing, queerness, race, gender, disability justice and what it means to be unabashedly human. As a healer, Kayla’s work focuses on mental health, self-care, self-love ancestral and intergenerational trauma, sustainable forms of healing, and radical reproductive justice/healing.
Her play For Fried Plantains debuted at the National Arts Centre of Canada ,has been shown across Canada and the U.S. and was recently the Keynote Performance for the Activate History Conference.
In May 2015 her first short film lay it down (2015) ( Producer, Director, Writer, Actor, Sound), was screened at the TIFF Bell Lightbox. She is the founder of Aunt Colyce Apothecary, an apothecary that is dedicated to healing, caring and the unabashed self-love.
Kayla is the founder of Gravel Pitt Productions, where she is currently in pre-production for her first documentary entitled Sad Girls Club.
(Courtesy of Kayla Carter’s website)