I AM
JACK'S NARRATIVE STRUCTURE
Fight
Club is a movie that is rich in narrative, incorporating various
images, visual effects, metaphors, sound effects and symbols as
well as combining several thematic elements that play off of societal
norms and values. When done effectively, these elements combine
to help 'mesmerize' the audience into a state where they willingly
suspend their beliefs about plausibility and possibility and allow
the viewers to "… become emotionally
affected by these images, sounds, and music, and also often identify
with the characters in films and learn something about themselves
and about life in the process." (Berger, 147)
THEMATICALLY
Plotlines in modern stories are built upon
the values and norms of a society or culture (Wright
in Berger, 154). The 'bad guys' can be easily identified by
their actions that will most usually be actions that the society
at large frowns upon (ex. murder) or recognizes as attributes
that they have deemed 'evil', while the 'good guys' reflect societal
norms and values that society respects and recognizes as 'good'
(ex. rescuing someone in trouble). A.A. Berger in his chapter
entitled Film Narratives discusses Will Wrights study of popular
western films Sixguns and Society (1975) and the four main plot
lines that were used in the Western movie genre (Berger,
153). Movies usually contain a mixture of these different
plots … but notice how these 'Western' plots are also represented
in the modern day movie Fight Club.
Western Plots |
Description |
Represented in Fight Club |
Classical |
To separate yourself from everybody
else and use your strength as an individual to win them over |
Tyler/Jack separated himself from
society by refusing to become a mindless consumer. Started
Fight Club on his own and soon had 'franchises' the world
over. |
Vengeance |
To be respected and loved one
must struggle alone against your enemies, but make an effort
to return to the 'softer' values of marriage and humility |
Jack struggled alone against his
ideal self, Tyler. Fighting to gain back control, and rein
in Tyler throughout the movie, Jack eventually returns to
Marla and signifies that he is ready to begin a relationship. |
Transition |
By standing firmly against the
intolerance of society, thus making oneself an outcast, one
can earn love and companionship. |
'Standing firmly' against societies
distaste of violence, Jack's fighting separated him from the
everyday person and in the end served as a bond between himself
and Fight Club members everywhere. |
Professional |
Companionship and respect are
to be earned by forsaking individual goals and joining an
elite group of 'professionals'. Pledging loyalty only to the
team. |
The members of Fight Club gave
up individual identity and pursuit of goals imparted upon
them by society in order to join Fight Club, and then Project
Mayhem. Each earning the respect and companionship of one
another. |
(Developed
in part from Wright in Berger, 154)