Performing Indigeneity: Theatre @ York raises Brébeuf’s Ghost

Award-winning Algonquin/Métis director and playwright Yvette Nolan helms Theatre @York’s compelling new production of Brébeuf’s Ghost, “a tale of horror in three acts” by internationally renowned Aboriginal playwright Daniel David Moses. The show previews from January 24, opens January 26 and runs to January 30 in the Joseph G. Green Studio Theatre at York University’s Keele campus.

Brébeuf’s Ghost is a poetic and powerful story of the survival of Indigenous culture in the face of colonial oppression and destruction. The play is set in 1649 at Lake Nipissing, where the First Nations communities are at war with Christian missionaries. Worlds are colliding. On top of everything, the ghost of the Jesuit missionary Jean de Brébeuf, killed earlier in the year in Huronia, has returned.

With Brébeuf’s Ghost, Moses depicts a dark but ultimately healing vision of early Canada. The audience is drawn in to witness an intensely theatrical epic that reveals the shattering consequences of the collision between native and non-native cultures, traditions and social structures.

Nolan hopes audiences will truly experience the world that Daniel David Moses has created in Brébeuf’s Ghost.

“I think it’s really important to understand that this story is our story – the story of all Canadians”, she said. “It’s about contact between the Indigenous people and the people who came over to these lands. What I want audiences to take away from the experience of the play is an understanding of how we got to 2016.”

For Brébeuf’s Ghost, Nolan directs a talented young cast drawn from the 4th Year Acting Conservatory in York’s Department of Theatre. Upper-year undergrads make up the creative team handling all aspects of production design and execution, including sets, costumes, lighting and an original soundscape.

Daniel David Moses is registered as a Delaware Indian, though he hails from the Six Nations lands located on the Grand River near Brantford, Ontario. An alumnus of York University’s Theatre program, he is one of Canada’s foremost playwrights. He has been hailed as “… a coroner of the theatre who slices open the human heart to reveal the fear, hatred and love that have eaten away at it” (The Globe and Mail). His plays include Almighty Voice and his Wife, Coyote City, The Witch of Niagara, and The Indian Medicine Shows. A two-time nominee for the Siminovitch Prize in Theatre, he received the Ontario Arts Council’s Aboriginal Arts Award in 2015. He divides his time between Toronto, where he writes, and Kingston, where he teaches in the Department of Drama at Queen’s University.

Director, playwright, dramaturg, actor and educator Yvette Nolan is a major force in the creation and performance of Aboriginal theatre in Canada. Born in Prince Albert, Saskatchewan, to an Algonquin mother and an Irish immigrant father, she has worked with theatre companies across the country, including Winnipeg’s Manitoba Theatre Centre; Nakai Theatre and Gwaandak Theatre in Whitehorse, Yukon; Eastern Front Theatre in Dartmouth, Nova Scotia; and Toronto’s Native Earth Performing Arts, where she served as managing artistic director from 2003 to 2010. Her directing credits include the Western Canada Theatre Company/National Arts Centre co-production of George Ryga’s The Ecstasy of Rita Joe; The Only Good Indian for Turtle Gals Performance Ensemble; and Death of Chief, A Very Polite Genocide and Tombs of the Vanishing Indian for Native Earth Performing Arts. She has been writer/playwright-in-residence at Brandon University, the NAC, Mount Royal College and the University of Regina. Her honours include the George Luscombe Award for mentorship in professional theatre, Bob Couchman Award for direction, Jessie Richardson Award for outstanding original script, and Mallory Gilbert Leadership Award. Later this season, Theatre @ York will present her adaptation of Aristophanes’ The Birds, recast as a tale of Indigenous and settler relationships on Turtle Island.

Brébeuf’s Ghost is presented under the auspices of Performing Indigeneity, the Department of Theatre’s thematic focus for 2015-16. In Theatre @ York productions, the Performance Studies (Canada) Speaker Series, curriculum and classroom dialogue, the department is exploring questions raised by Indigenous performance, including interculturalism, indigenous protocols, post-colonialism, and the staging of ethnicity. York’s theatre program joins the national conversation undertaken by the country’s most influential theatre organizations and leads the nation in addressing how post-secondary theatre training intersects with Canada’s Indigenous peoples and the diversity of their artistic practices.

Theatre @ York presents Daniel David Moses’  Brébeuf’s Ghost directed by Yvette Nolan
When: January 24 to 30, opening Tuesday, January 26
Schedule: Previews January 24 and 25 at 7:30pm, opens January 26 and runs to January 29 at 7:30pm nightly, plus matinees January 27 and 29 at 1pm and January 30 at 2pm.
Where: Joseph G. Green Studio Theatre, Centre for Film and Theatre, York University, 4700 Keele St. Toronto | Map & Directions
Tickets: $20 | students & seniors $12 | previews $7
Group rate: $10 (for groups of 10 or more; not available through online purchase — please call the box office)
Box Office: 416.736.5888 or online

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Media Contact:
Amy Stewart, Communications, School of the Arts, Media, Performance & Design, York University
416-650-8469 | amy.stewart@yorku.ca