Home » Category: 'Digital Locks' (Page 3)

Digital Locks

Canada, The Land of Hockey, Roll Up The Rim To Win and Pirates

Sean Jackson is a first year JD candidate at Osgoode Hall Law School and currently enrolled in the course Law & Social Change: Law & Music, in Winter 2011. As part of the course requirements, students are asked to write a blog on a topic of their choice. In the International Intellectual Property Alliance’s (IIPA) 2011 Special […]

Bill C-32 and Digital Locks: An Uneasy Balance

Lidiya Yermakova is a first year JD candidate at Osgoode Hall Law School and currently enrolled in the course Law & Social Change: Law & Music, in Winter 2011. As part of the course requirements, students are asked to write a blog on a topic of their choice. The Copyright Modernization Act, otherwise known as […]

Conflict and Compromise: A Review of Selected Bill C-32 Position Papers

Kyle Lavender is a JD candidate at Osgoode Hall Law School. The House of Commons has resumed hearings on the Copyright Modernization Act (Bill C-32). Amidst claims that the process of amending the Copyright Act has preceded at a “snail-like” pace, it is hopeful that position papers submitted to the House of Commons Legislative Committee on Bill C-32 […]

US Court Confirms: There is No Fair Use Exception to Digital Lock Provisions under the DMCA

Matt Lonsdale is a JD candidate at Dalhousie University. There has been heated debate in Canada regarding technological protection measures (TPMs), particularly against the backdrop of the amendments to the Copyright Act proposed by Bill C-32. At issue in many of these discussions is the extent to which circumventing TPMs should be illegal; for instance, […]

Digital Locks, Circumvention and The Copyright Reforms Proposed By Bill C-32

David Vaver is Professor of Intellectual Property Law at Osgoode Hall Law School, former Reuters Professor of Intellectual Property & Information Technology Law, University of Oxford and former Director of the Oxford Intellectual Property Research Centre One among many contentious issues raised by the proposed copyright reforms in the Copyright Modernization Bill of 2010, Bill […]

Focus on Gaming: Q&A with Susan Abramovitch

Susan H. Abramovitch is a partner in Gowlings’ Toronto office, practising exclusively in entertainment law. Susan’s practice covers all aspects of music industry transactions, as well as film, television, live theatre, multimedia, videogaming and book publishing. IPilogue Editor Stuart Freen sat down with her earlier this week to talk about the video gaming industry and […]

Reconciling Copyright and Cultural Preservation

Matt Lonsdale is a JD Candidate at Dalhousie University Our view of the world is both reflected in and informed by the creative works we produce and consume. Whether dealing with news reports or Top 40 hits, archivists have a special interest in creating durable copies of these cultural artefacts. A new study from the […]

Locking Out Lawful Users

Carys Craig is an Associate Professor at Osgoode Hall Law School Michael Geist’s edited collection of essays on copyright reform is being released on October 14th, and you are welcome to attend its launch. This exciting and timely publication, entitled ‘From “Radical Extremism” to “Balanced Copyright”: Canadian Copyright and the Digital Agenda’, contains twenty chapters […]

Protecting Protection is Nothing New

James Gannon is a lawyer at McCarthy Tétrault LLP; he blogs at jamesgannon.ca One of the federal government’s main stated objectives in enacting Bill C-32, the Copyright Modernization Act,[1] is to implement the rights and protections for authors, performers and sound recording makers found in the WIPO Internet Treaties[2].[3] Bill C-32 would amend the Canadian […]

Maia Davis Mixes Music Biz Morality and Economics

Stuart Freen is a JD Candidate at Osgoode Hall Law School The Montreal Gazette recently published an op-ed piece by musician Maia Davis discussing the music industry and lost profits due to file sharing. In it, Davis laments that musicians cannot currently make a decent living selling music due to an atmosphere of entitlement amongst […]