Music Industry
“You Own It, You Better Never Let It Go”: Distinguishing Permissible Borrowing from Copyright Infringement in Music
Can alterations in the sonic bed, piano figures, guitar and string lines in a musical composition save it from damages for copyright infringement of the original? The High Court of New Zealand rules “No” in its decision Eight Mile Style, LLC v. New Zealand National Party. The dispute arose after the New Zealand National Party […]
Hearing and Healing: Indigenous Artists Talk Music and Reconciliation at the 2017 Global Forum Breakfast
Last month, I had the pleasure of attending Canadian Music Week’s 2017 Global Forum Networking Breakfast – a Music Canada sponsored event that celebrates and recognizes individuals and organizations in the music community who are using music to make the world a better place. This year’s topic was “The Power of Music: Indigenous Artists Discuss […]
Not-So-Compulsory Licence: a Proposed (and Rejected) Solution to Copyright Infringement in Derivative Musical Works
In a recent MTV news article, author Miles Raymer opined over the “hopelessly broken” state of the US copyright system. While such a sweeping statement clearly oversimplifies the state of copyright law in the digital era, there may be some truth to it. Raymer focuses particularly on the tension between an ever-increasing market for derivative works […]
When Life Gives You Lemons, Make (Your Own) Lemonade: Beyoncé Sued for Her Latest Album Trailer
Beyoncé’s Lemonade left a sour taste in at least one person’s mouth. Matthew Fulks, a Louisville-based filmmaker and creative director at the WDRB Kentucky news station, is taking the singer to court for copyright infringement. The plaintiff claims that Lemonade, Beyoncé’s trailer for her latest album, copies “visual and sonic elements” from his short-film “Palinoia.”