Home » Posts tagged 'copyright' (Page 22)

copyright

“Notice and Notice” and Video Streaming – Are You Breaking Bad?

Video streaming, we all do it (or have done it at some point). It’s difficult not to in this day and age when entertainment is so easily transportable and amenable to on-the-go enjoyment, the stationary television becoming less and less the platform for watching our favourite movies and shows. Some of us have engaged in […]

CBC v SODRAC Episode III: Oral Arguments Heard at the SCC

On March 16th, the Supreme Court of Canada (SCC) heard oral arguments in CBC v SODRAC . The SCC granted leave to appeal from the Federal Court of Appeal (FCA) decision back in September, which originally stemmed from a 2012 Copyright Board (the “Board”) decision. The issue centers on whether broadcasters should be required to pay […]

IP Year in Review 2014 – The Perpetual Motion of IP Law

Giuseppina D’Agostino is the Founder and Director of IP Osgoode, the IP Intensive Program, and the IP Osgoode Innovation Clinic, the Founder and Editor-in-Chief of the IPilogue, the Deputy Editor of the Intellectual Property Journal, and an Associate Professor at Osgoode Hall Law School.   2014 was another exciting year in intellectual property (IP) law. […]

Intellectual Property, Politicians, and the Press: Who’s Protecting the Public Good?

It’s hardly surprising that politicians and members of the press often find themselves at odds with one another, as the two have a long history of conflicting priorities and mandates. Yet the two entities occupy complementary and at times oppositional roles in serving the public good. The recent debate surrounding leaked information about possible copyright […]

IP Osgoode Speaks Series Video: Copyright Exceptions as Users’ Rights? An Empirical Critique

IP Osgoode would like to thank everyone who attended Dr. Emily Hudson’s lecture, titled “Copyright Exceptions as Users’ Rights? An Empirical Critique,” on September 29, 2014 at Osgoode Hall Law School. The video of the lecture is available here. You can also read Joseph Turcotte’s reflections of Professor Hudson’s presentation here.

Grooveshark Fails to Navigate DMCA Safe Harbor

The recently announced decision of the United States District Court in Manhattan, UMG v. Escape Media Group (Grooveshark), serves to further elucidate the terms on which service providers can expect legal protection if their users are found to be uploading infringing content. More importantly, it gives us an excellent example of the differences between the US […]

Compendium of U.S. Copyright Office Practices, Third Edition

 On 19 August 2014, Register of Copyrights Maria A. Pallante released a draft of the Compendium of U.S. Copyright Office Practices, Third Edition. This publication is a 1,200 page document that in many parts reads as a treatise on U.S. copyright law. Its size alone speaks to the complexity of identifying and protecting copyright and […]

The Legality of “Player” Generated Content

With the rising popularity of video and computer games, a new form of user generated content (“UGC”) and a whole new set of intellectual property issues is emerging. Science fiction web series such as  Red vs. Blue use copyrighted graphics and characters from the popular Xbox video game Halo to create new comedic content parodying first person shooter […]

Users’ Rights and Realities: CCH, Fair Dealing, and the Experiences at Canadian Cultural Institutions

Recent research is shining a new light onto the Supreme Court of Canada’s (SCC) decision that is said to have “reconceptualized” fair dealing as an integral part of copyright law in Canada (Craig, p. 449). During a 29 September 2014 lecture in the IPOsgoode Speaks Series, Dr. Emily Hudson, the Career Development Fellow in Intellectual Property Law at the Oxford […]

Supreme Court set to revisit technological neutrality in CBC v SODRAC

On September 4, the Supreme Court of Canada granted leave to appeal from the Federal Court of Appeal in CBC v SODRAC 2003 Inc which considered the issue of whether broadcasters must pay royalties on ephemeral or incidental copies of an audiovisual work created during the preparation of that work for broadcast. The case arose out […]