In my previous post, I detailed how a single digital spin of a song can trigger multiple webcasting tariffs. I also mentioned that royalties are not always paid wholly and directly to a single “creator” of music, but rather distributed on a percentage basis, depending on the various roles in the creation of the musical recording. […]
The recently announced decision of the United States District Court in Manhattan, UMG v. Escape Media Group (Grooveshark), serves to further elucidate the terms on which service providers can expect legal protection if their users are found to be uploading infringing content. More importantly, it gives us an excellent example of the differences between the US […]
Susan Abramovitch, a partner at Gowling Lafleur Henderson LLP and the Head of the firm’s Entertainment Law Practice, will be speaking on two panels this Saturday at Canadian Music Week (CMW) to discuss Canada’s copyright regime and recent developments in Canadian music law and business, and their impact on the Canadian music industry. IP Osgoode had […]
Much has been written and discussed about the state of the music industry, and the impacts digital media has had on it. Past IPilogue coverage has included detailed analysis of last year’s copyright pentalogy, the music industry’s assault on Eastern European digital stores, and an interview with the president of Music Canada. The main themes of the debate […]
The Federal Court recently held that in the absence of a written agreement, a copyright holder could grant implied consent to the use of their work when they allowed the work to be used for the purpose for which it was commissioned. This ruling may cause concern for authors who wish to retain control of their works […]
#MusicCanHelp – This Twitter hashtag and motto for Graham Henderson’s recent address is now being used to inspire communities, industries, and politicians to help music help Canada.
Peter DiCola, assistant professor at Northwestern University School of law recently released a study on the income earned by musicians from copyright protected sources. The goal of the study, entitled Money from Music: Survey Evidence on Musicians’ Revenue and Lessons About Copyright Incentives, was to analyze empirical evidence in order to justify the incentive theory of copyright law.
Musician David Gunning’s new album entitled “No More Pennies” features images of the Canadian penny as part of its album art. The album features a picture of a young man with a pile of spare change (including pennies), an image of a setting sun/penny, and an image of a steam train with pennies for wheels. […]
This report examines data on the effects of Internet peer-to-peer (P2P) file sharing activities on music purchasing which were obtained from a survey commissioned by Industry Canada. The survey was designed to “inform Industry Canada’s policy development work” [1] and ultimately therefore support better policy decisions regarding the copyright law in Canada.
In a long-anticipated court ruling on May 9th, a California judge upheld former Village People lead singer Victor Willis’s right to reclaim ownership of hit songs such as “YMCA” and “In the Navy.” Early last year, Willis invoked an amendment of United States copyright law which deals with inalienable “termination rights” with respect to recordings […]