At the crossroads of imagination and innovation, the Connected Minds Artist-in-Residence program, in collaboration with Sensorium: Centre for Digital Art and Technology, empowers visionary creators to reshape how we perceive and interact with technology. This initiative invites artists to delve into the ethical and social dimensions of emerging technologies, pushing boundaries through interdisciplinary research, community engagement, and bold artistic experimentation. With access to cutting-edge research spaces, dynamic collaborations with scholars and students, and the resources to produce transformative work, Artists-in-Residence play a vital role in advancing Connected Minds' mission: building a healthier, more just society through equitable and inclusive technological innovation.
We are excited to announce the 2025 Artists-in-Residence. These two exceptional artists will bring their innovative projects to life, exploring the intersections of art, technology, and society, and redefining the role of art in addressing the social and ethical dimensions of emerging technologies. Learn more about their work and the impact they will make below.
Ar Ducao
Ar Ducao (they/them pronouns) is an artist, engineer, educator, and organizer who works with underrepresented and incarcerated learners. They cofounded Multimer, a patent-holding bio-spatial analytics firm awarded by the National Science Foundation SBIR (small business innovation research) program. They are also executive producer and lead creator of The Great Tit is a Bird, a sci-fi arthouse animation series and audio drama. Ducao is a part-time professor at NYU School of Engineering, NYU Prison Program, and MIT MITES. They advise the Black women’s empowerment groups Inua Kike and Birth by Us, the Callen Lorde LGBTQ+ Health Center, and the National Eczema Association.
Gala Hernández López
Gala Hernández López is an artist, filmmaker, and researcher whose interdisciplinary practice combines film, video installations, performance, and publications. Her work critically examines computational capitalism’s impact on subjectivity, exploring virtual imaginaries, tech utopias, and human fantasies of control from an ecofeminist perspective. Her award-winning creations, including the César-winning La Mécanique des fluides (2024), have been showcased at major festivals and institutions worldwide. A PhD candidate at Paris 8, she also teaches and directs After Social Networks. She is currently in residence at Palais de Tokyo in Paris. She is working on Dreams of Prophets, a film about the history of dream engineering technologies.