From a wildly funny fairy tale to a searing battle for justice and revenge, York University theatre students, faculty and alumni are contributing their talents to Canadian Stage’s 34th annual Shakespeare in High Park (SiHP).
Since 2012, Canadian Stage has teamed up with the Department of Theatre in York’s School of the Arts, Media, Performance & Design to produce a double dose of summer entertainment: two plays featuring the same actors and different directors. This season, Shakespeare’s great tragedy Hamlet and the bold romcom All’s Well That Ends Well are playing under the stars in Toronto’s High Park Amphitheatre on alternating nights throughout the summer. The shows opened last week to critical and audience acclaim.
All’s Well That Ends Well cast all look fine among York theatre designs. Left to Right Frank Cox-O’Connell, Kyle McWatters, Rachel Jones, Marvin Ishmael, Qasim Khan, Nicky Guadagni, Alon Nashman and Raechel Fisher. Photo by Cylla von Tiedemann
Three undergraduate theatre students and one recent grad specializing in production and devised theatre participated in an independent summer practicum course associated with SiHP. Adrianna Berardocco (BA ’16), Valerie Cameron, Keira McNeil and Anastasia Popova constructed 10 costumes for the shows in York’s state-of-the-art wardrobe workshop and downtown at Canadian Stage’s Berkeley Street location.
Above and beyond sewing, building the costumes involved searching out existing pieces and patterns in York’s extensive collection and adapting them to the costume designers’ sketches. The students sourced appropriate fabric, made stylistic adjustments, and fit the sizing for the actors.
While the production students already had several Theatre @ York mainstage shows under their belts, SiHP was the most complex costuming project that devised theatre student Berardocco had ever taken on.
Recent grad Adrianna Berardocco (BA ’16) builds a custom purple velvet suit jacket for the King of France in All’s Well That Ends Well
“I’m a do-it-yourself theatre-maker, and in York’s program I’ve been able to develop hands-on skills in all areas, from tech and performance to creation and direction. I know this costuming experience will help me down the road,” she said. “For SiHP I’ve built a suit jacket from scratch. I’m so excited to see my creation on stage!”
Under the direction of Assistant Lecturer Sylvia Defend, the wardrobe shop in York’s Theatre Department offers such a welcoming creative environment that production student Hannah Litster and freshly minted alumna J.J. (Jingjia) Zhang (BFA ‘16) volunteered to assist with the project.
On the performance side, Canadian Stage offered a remarkable opportunity to members of York’s Fourth-Year Acting Conservatory by holding a special audition on campus last November. A small group of students was invited to the open casting call downtown the following month, and Raechel Fisher and Kyle McWatters were each offered supporting roles in the SiHP productions.
“It was so great to get the callback,” said McWatters. “While I felt excited and prepared for the auditions, it was such a thrill to land the parts. On my first day of rehearsal I was nervous, but knowing what a great program York has, and knowing exactly what was expected of me, helped me focus.
Theatre student Kyle McWatters (standing) is thrilled to perform the role of Dumain (2) in All’s Well That Ends Well. Pictured with Marvin Ishmael as the King of France. Photo by Cylla von Tiedemann
“These shows are a continuation of my in-class experience,” McWatters added. “I’m learning so much from the rest of the SiHP cast and the directors. In my third and fourth year at York, the directors we worked with really treated us like professionals. They and our profs were warm and caring people and amazing mentors, and working with them was the perfect introduction to a career in theatre.”
Learning two plays at once can seem like an intimidating challenge, but McWatters sees his class work as a foundation for success.
“At York, they keep you on your toes,” he said. “I always had a number of projects on the go, so memorizing and rehearsing two plays at once feels natural.”
Audience feedback has been gratifying, McWatters said. “I love getting laughs and feeling when the audience is really engaged in the play. My friends and family have been super supportive. And I’m especially excited for my profs to come and to hear what they think after the show.”
York involvement doesn’t stop at the student level. Professor Teresa Przybylski, an internationally known stage designer whose extensive credits include the Stratford and Shaw Festivals, was commissioned by Canadian Stage to design the sets for both plays, assisted by MFA candidate Claire Hill. Award-winning designer, Professor Shawn Kerwin and alumna Michelle Tracey (BFA ’13) designed the costumes for All’s Well That Ends Well and Hamlet, respectively.
Helming All’s Well is Ted Witzel (MFA ’14), who was one of the two inaugural graduates of York University’s Graduate Program in Theatre – Stage Direction in Collaboration with Canadian Stage. (No stranger to SiHP, Witzel’s first summer production with Canadian Stage was directing The Taming of the Shrew for his MFA thesis.) Alumnus Simon Fon (BA ’16) is the fight director for both plays.
Alumni Marvin Ishmael (MFA ’11) and Rose Tuong (BFA ’13) and former York theatre student Kaleb Alexander are part of the cast for the double bill. Behind the scenes, BFA ’16 grads Natalie Voorn and Rachel Annen were hired as design interns/wardrobe assistants, and Cole Vincent serves as apprentice stage manager.
These ongoing and new connections build on the strong relationship between one of Canada’s foremost contemporary theatre companies and leading theatre schools.
Canadian Stage’s recent double bill, Botticelli in the Fire & Sunday in Sodom, received seven Dora Mavor Moore award nominations this year, including outstanding direction for Matjash Mrozewski (MFA ‘16) and Estelle Shook (MFA ’16), the latest graduates of the collaborative program in stage directing. It took home the Dora for Outstanding Production in the General Theatre category.
Alumna Rose Tuong and Frank Cox-O’Connell co-star as Ophelia and Hamlet in Shakespeare in High Park. Photo by Cylla von Tiedemann
“The Doras were a perfect night. It was wonderful to see so many alumni recognized for their talents,” said Ines Buchi, chair of York’s Department of Theatre. “Now I’m looking forward to seeing the work of our young artists and colleagues at Shakespeare in High Park, and to our continued partnership with Canadian Stage for the excellent experiential education and mentorship they provide to our students.”
SiHP runs to Sept. 4. Admission is free for children 14 and under. Adults are invited to make a pay-what-you-can donation at the entrance ($20 min. suggested) or to reserve a premium spot in advance via an online $25 donation. For details, visit the SiHP website.