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Canadian Writers in Person begins 2021 with Carol Rose GoldenEagle’s “Bone Black” 

Canadian Writers in Person continues on Jan. 19 with a reading of Carol Rose GoldenEagle's "Bone Black"

Canadian Writers in Person continues on Jan. 19 with a reading of Carol Rose GoldenEagle’s Bone Black

If you love meeting talented writers and hearing them read from their published work, or just want to soak up a unique cultural experience, don’t miss the opportunity to attend the Canadian Writers in Person Lecture Series.

The series gives attendees an opportunity to get up close and personal with an eclectic group of 11 authors while having the unique opportunity to engage with them in a dialogue about their work.

Canadian Writers in Person is a for-credit course for students. It is also a free-admission event for members of the public. All readings take place at 7 p.m. on select Tuesday evenings via Zoom. Links for each reading can be found here: https://cltr.huma.laps.yorku.ca/canwrite/.

This year’s lineup consists of a unique selection of emerging and established Canadian writers, whose writing explores a broad range of topics and geographical and cultural landscapes. Featuring seasoned and emerging poets and fiction writers, the series highlights Canada’s ever-growing literary talent.

The series will continue on Jan. 19 with a reading of Carol Rose GoldenEagle’s Bone Black (Nightwood Editions).

GoldenEagle is Cree/Dene with roots in Sandy Bay, northern Saskatchewan. She is a published novelist, poet, playwright, visual artist and musician. She is the author of the award-winning novel Bearskin Diary (2015). Her visual artwork has been exhibited in art galleries across Saskatchewan and Northern Canada. A CD of women’s drum songs, in which GoldenEagle is featured, was nominated for a Prairie Music Award. She worked as a journalist for more than 30 years in television and radio at APTN, CTV and CBC.

Bone Black’s protagonist Wren StrongEagle reflects on how there are too many stories about Indigenous women who go missing or are murdered, and it doesn’t seem as though official sources such as government, police or the courts respond in a way that works toward finding justice or even solutions.

Wren is devastated when her twin sister, Raven, mysteriously disappears after the two spend an evening visiting at a local pub. When Wren files a missing persons report with the local police, she is dismissed and becomes convinced the case will not be properly investigated. As she follows media reports, Wren realizes that the same heartbreak she’s feeling is the same for too many families, indeed for whole Nations. Something within Wren snaps and she decides to take justice into her own hands. She soon disappears into a darkness, struggling to come to terms with the type of justice she delivers. Throughout her choices, and every step along the way, Wren feels as though she is being guided. But by what?

Other presentations scheduled in this series are:

Canadian Writers in Person (AP/CLTR 1953 6.0A) is a course offered in the Culture & Expression program in the Department of Humanities in York University’s Faculty of Liberal Arts & Professional Studies. For more information on the series, visit yorku.ca/laps/canwrite, or email Professor Gail Vanstone at gailv@yorku.ca or Professor Leslie Sanders at leslie@yorku.ca.