Keywords

Professor Leslie Korrick with TAs Leah Burns, Liz Forsberg, Charmaine Headley, Andrea Roberts, Lisa Schincariol, and Bojana Videkovic, All-Consuming Knowledge, 2007 (2 views of screen backdrop for live performance; see also video clip)

Carolee Schneemann, Eye-Body: 36 Transformative Actions, 1963
(3 studio views)

Carolee Schneemann, Meat Joy, 1964
(film still; see also video clip)

Carolee Schneemann, Interior Scroll, 1975
Cezanne, She Was A Great Painter (text; book)
Kitch’s Last Meal (text; scroll)

Carolee Schneemann, Kitch’s Last Meal, 1973-76
(2 film stills)

Paul Cezanne, Self Portrait
Paul Cezanne, The Bathers
Paul Cezanne, Still Life
Paul Cezanne, Landscape

Coco Fusco and Guillermo Gomez-Peña, Two Unknown Amerindians Visit / The Couple in the Cage: A Guatinaui Odyssey
(performances 1992; video 1993)

post-colonial methodology

---

There were several requests for an excerpt of the text on the scroll from which Carolee Schneemann read in her performance art piece, Interior Scroll of 1975. For those of you interested in this, please read below:

Carolee Schneemann, Kitch’s Last Meal, 1973-76

I met a happy man
a structuralist filmmaker
-but don’t call me that
it’s something else I do-
he said we are fond of you
you are charming
but don’t ask us to look at your films
we cannot
there are certain films
we cannot look at
the personal clutter
the persistence of feelings

the hand-touch sensibility
the diaristic indulgence
the painterly mess
the dense gestalt
the primitive techniques

(I don’t take the advice
of men who only talk to
themselves)
PAY ATTENTION TO CRITICAL
AND PRACTICAL FILM LANGUAGE
IT EXISTS FOR AND IN ONLY
ONE GENDER
...
he told me he had lived with
a “sculptress” I asked does
that make me a “film-makeress”?

Oh No he said we think of you
as a dancer